12 True Fifths

A musical and aesthetic synthesis of Sufism music, Raga and Healing Solfeggio Frequencies for tantric chakra communion and rituals. twelve pure ascending 5ths equal 7 octaves and 23.5 cents, composed with spiritually charged musical sounds.

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tantric chakra comunnion

The seven central themes of experience: connectedness, embodiment, altered states of consciousness, spirituality, personal transformation, Utopian models of society, and neotribalism.

the Pythagorean Temperament works with the stacking of perfect fifths. But, when we stack 12 perfect fifths, we do not end up at a the same note we started, but approximately a quarter-tone above. With other words, we don’t end up with a circle but a spiral. This actually happens with any perfect (pure, natural) interval (except for the octave) when stacked (and that does not work very well with a closed musical interval system). In order to close the circle, one or more 5th’s should be slightly decreased to end up with a perfect circle. Maria Renold though came up with an tempered version of the Pythagorean Temperament, using mostly Perfect Fifths and still create a working closed circle. This is the 12 True Fifth.

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radical ego accountability in symbolic ritualism

closing the spiral into a circle

integrating your darkness through illuminating tantric communion

1

delis

2

elis

3

gelis

4

belis

music as a tool to facilitate spiritual experience, with practices and rituals designed to bring practitioners closer to the divine. Music, whether through instrumental performances or vocal recitations, plays a central role in this mystical journey.

can serve as a conduit for spiritual growth and self-realization.

designed to evoke specific emotions and states of mind, associated with particular times of day, seasons, and moods

names for the black keys of the piano

C#/Db =“delis“, D#/Eb =”elis“,

F#/Gb = “gelis“, G#/Ab = “alis” and A#/Bb = “belis“.

‘fully’ means complete oneness with the Divine”, having your darkness work for you. 12 true fifths is the tone for it

the 12 true fifths

Imagine the piano to visualize it. A standard acoustic piano has 88 keys. This covers 7 octaves with 12 tones (=84), +4 semitones. From from every tone of the 12-tone scale there are 7 (or 8) exact doubles/halves. So, if we take for example the tone C4=256Hz as reference, then we have a perfect doubling at:

C1=32Hz, C2=64Hz, C3=128Hz, C4=256Hz, C5=512Hz, C6=1024HZ, C7=2048Hz and C8=4096Hz.

^All these “C’s” are “identical”, they are the same frequencies doubled or halved. When you would play two or more perfect octaves (1200 cents precisely) of for example those “C’s” simultaneously, most people would no longer differentiate between the “C’s” but hear them as one.

Another reason why I call them “identical” is that they are all part of the same harmonic series. If we take for example C1 as the “fundamental” (the first harmonic), then C2 aligns perfectly with the 2nd harmonic of C1, as do all other perfect octaves of C1: C3=4th harmonic, C4=8th harmonic, C5=16th harmonic, C6=32nd harmonic, C7=64th harmonic and C8=128th harmonic. From C2 we could do exactly the same and those “C’s” above C2 would align in the same relative fasion to C2 as the “C’s” above C1 did to C1.

To visualize a closed system you could draw it as a circle.

find your circle

the Pythagorean Temperament works with the stacking of perfect fifths. But, when we stack 12 perfect fifths, we do not end up at a the same note we started, but approximately a quarter-tone above. With other words, we don’t end up with a circle but a spiral. This actually happens with any perfect (pure, natural) interval (except for the octave) when stacked (and that does not work very well with a closed musical interval system). In order to close the circle, one or more 5th’s should be slightly decreased to end up with a perfect circle. Maria Renold though came up with an tempered version of the Pythagorean Temperament, using mostly Perfect Fifths and still create a working closed circle.